Light before decor
A badly lit photo wall produces photos that do not get published. It is a ten-minute technical decision that determines whether coverage carries your brand.
Product Launches
A press and influencer event is a gathering aimed at journalists and content creators so that they learn about something new and share it in the media and on social networks.
A carpet, a photographer, a luxury detail and a well-lit backdrop: what a press event needs to get published.
We run press and influencer events: well-lit carpet and photo wall, photographer, staffed reception, signature cocktails and photogenic elements that generate the content that circulates afterwards.
A press event has a very specific objective, quite different from a guest event: getting published. The attendee is not the final recipient, they are the intermediary, and everything built should make their job easier. That changes the priorities: light matters more than decor, the backdrop matters more than the table, and waiting time matters enormously, because a journalist with a tight schedule simply leaves.
The photo wall is the central element and deserves serious technical treatment. A backdrop with the right logos, in the agreed order, lit well enough for usable photos and placed where there is no backlight or cross traffic. It is a ten-minute decision taken with someone who knows, and it determines whether published content carries the brand or not.
With influencers the approach is similar but the content differs. They need photogenic elements that work vertically, a space to record without background noise, and something visually different from what they have already posted twenty times. Luxury elements, a living red carpet, a champagne dress, a gold mirror man, work particularly well because they are unusual and film well.
We also provide the operations: media accreditation separate from guest accreditation, staff who know the list, cloakroom, and timing coordination so the photographable moment happens once every outlet has arrived and none has left.
A badly lit photo wall produces photos that do not get published. It is a ten-minute technical decision that determines whether coverage carries your brand.
Influencers need elements that work in vertical format, a quiet space to record and something visually different from what has already been seen.
Press accreditation and entry independent of guests. It prevents the carpet bottleneck and stops a journalist in a hurry from leaving.
What you want published, which outlets or profiles are coming and at what point the photographable moment happens.
Photo wall, lighting, carpet and placement, with the logos and ordering you specify.
Printed backdrop and a lighting test before the event, not on the day with press waiting.
Accreditation, photographer, timing control and media support throughout the event.
Every press event has one specific instant that will be published: the ribbon cutting, the group photo, the product unveiled, the toast. That instant must happen once every outlet has arrived and before any has left, and the window is usually shorter than it seems: twenty to forty minutes after the call time.
Scheduling it too early excludes latecomers; too late and the first arrivals have gone. It is a scheduling decision that costs nothing and decides much of the coverage. We take it with you during planning and our lead watches it on the day, because events always run late and the window moves.
Yes, same-day or even real-time delivery during the event can be agreed, which is what lets outlets publish that evening. We fix it in the quote with the photographer.
Yes, with the logos and ordering you specify. We need vector or high-resolution files a week ahead, and we send a proof before printing.
Yes, with our own staff and a media list. We separate press access from guest access, which stops a journalist with a tight schedule leaving before the important part.
Unusual, photogenic elements that work vertically, and a space to record without background noise. Whatever they have posted twenty times already does not help them, however impeccably produced.
At least one person on accreditation, one on the photo wall and the photographer. With more than thirty outlets it is worth adding a support person managing interviews and timings.