An arrival that organises the event
Carpet, lit photo wall, photographer and hosts who greet by name. Beyond the photo, it solves the practical problem of two hundred people arriving at once with nowhere to go.
Events
These are formal occasions where a company or institution celebrates something publicly: a gala, an awards ceremony, the opening of a venue or a product launch.
Red carpet, a welcome with impact, awards ceremonies and a closing act for galas, openings and institutional events.
We handle the arrival, the stage element and the closing act of galas, awards ceremonies, openings and institutional events: red carpet, hosts, photo wall, welcome entertainment and a final show.
A gala has two moments that hold the whole memory. The first is the arrival: how guests are received, whether there is a carpet, a photographer, someone telling them where to go. The second is the close: the last thing that happens before people stand up. Everything in between, the speech, the dinner, the corporate video, is necessary, but it is not what gets recounted afterwards. So we pay particular attention to those two ends.
The arrival is solved with production and with staff. A carpet, a well-lit photo wall, a photographer, hosts who know who they are receiving and manage access without it feeling like a filter. At galas with press or sponsors we add the branded backdrop, which guarantees published photos carry the right logos without anyone having to ask.
The close can be a short, strong act, an aerial number, a laser show, a brass band that walks the audience through to the drinks, or simply a well-executed awards ceremony with a podium, lighting and pace. At institutional events the tone changes and what works is well-executed restraint: few elements, impeccable, and staff who know protocol.
The costliest mistake at a gala is usually planning, not budget: not allowing for how long it takes people to get in. Two hundred guests with accreditation, cloakroom and a red carpet photo need forty to fifty minutes through a single control point. If the programme says dinner starts half an hour after doors, it will start late. We size the reception so the event begins on time.
Carpet, lit photo wall, photographer and hosts who greet by name. Beyond the photo, it solves the practical problem of two hundred people arriving at once with nowhere to go.
Where there are sponsors or media, a photo backdrop with the right logos guarantees published coverage includes whoever paid to be there.
A short, strong number at the end leaves a better memory than half an hour of programme. We design the close so it runs straight into the drinks with no dead gap.
Type of event, capacity, venue, hourly agenda and whether press, sponsors or institutional protocol are involved.
What happens at the entrance, which staff, which final act and how it fits your stage timings.
Backdrop, carpet, signage and stage elements, with lighting tests before the event.
Advance build, staff throughout the event and discreet takedown, respecting the programme's timings.
At a gala several suppliers always work simultaneously: catering, AV, decor, security and us. What decides whether the build goes well is not each one's individual quality but the order in which they load in. We coordinate with production from the start so our build slots into the right sequence and does not block the room for whoever comes next.
The same applies to timings during the event. A closing act needs to know exactly when the last speech ends, and that is rarely accurate to the minute. Our lead stays in contact with the stage manager throughout so the act enters on the night's real rhythm rather than the printed programme's.
Yes. Reception, accreditation and floor hosts, briefed on the event and, where needed, working from a guest list. For institutional events we assign staff with specific protocol experience.
Yes. We produce backdrop, carpet and signage with the logos and ordering you specify. We need the artwork with enough margin to print and build without rushing.
We recommend between eight and fifteen minutes. Beyond that, an audience already on its feet starts to drift and the act loses the effect you booked it for.
Yes, with councils, institutions and public bodies. We work to the order of authorities, the set timings and the restrained tone these events require, without adding elements that jar.
Yes, with our own staff. Cloakroom, accreditation, guest-list control and floor hosts. At events with press we separate media access from guest access, which is what prevents bottlenecks on the carpet.